By Christina Coryell
"Maybe taking myself heavily is a nasty thought, besides. I suggest, the possibilities of me tripping or doing anything both clumsy are beautiful excessive. Why not only supply in and begin off with a laid again perspective within the first place?" - Camdyn Taylor Camdyn Taylor eventually is familiar with the place she belongs, and he or she is decided to plant her roots in Tennessee soil as she readies herself for a lifestyles with the good-looking and beguiling Cole Parker. The stresses of publishing time cut-off dates and surroundings adjustments are in the back of her, yet a flurry of marriage ceremony arrangements have taken their position. upload to relations that unexpectedly wishes her, besides a brand new set of associates made up our minds to assist her adventure the entire neighborhood customs, and issues are guaranteed to get fascinating. With Camdyn concerned, there's additionally a great opportunity that each scenario may perhaps ultimately lead to humiliation. in the course of all of the pleasure, Camdyn realizes she doesn't recognize the guy of her goals in addition to she notion she did. With ghosts from the earlier shooting up at each flip, their tomorrows unexpectedly seem to be a bit shaky. In all of the chaos, they're going to eventually need to make a decision whether or not they locate themselves trying to find a cause to be by myself.
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Additional resources for A Reason to Be Alone (Camdyn, Book 2)
K. Rowling series is typically filed in the Juvenile Fiction section of public libraries based on the age of the protagonist in the book (at least at the start of the series). The mixture of narratives that were being written for an aging, teen audience and a budding film franchise helped Potter become a beacon for young adult literature being accepted by a mainstream and adult audience. Fast forward more than a decade later, and the results of this work are staggering. A 2012 market research report, “Understanding the Children’s Book Consumer in the Digital Age” (Bowker Market Research) found that the majority of YA consumers are 18 years or older.
If bookstores only display the prominent titles being released, it is difficult for young people to truly find the books that speak to them; instead they must bend to meet the garroting options of a modern capitalist market. This form of push marketing offers consumers little opportunity for exploration, personal inquiry, or choice in the book buying market. From a theoretical stance, capitalism can be read and interpreted and is something that can be discussed and explored with young people in varied contexts.
Particularly when looking at how books like I am Number Four are marketed, the content that consumers received is never just created by one author. How readers foster relationships with their books is something that is intentionally crafted and honed in books through design, marketing, and online engagement. A successful book franchise will foster a relationship with its book buying audience over years. With such high value placed on reader engagement, the editorial decisions of YA books are anything but singular.
A Reason to Be Alone (Camdyn, Book 2) by Christina Coryell